As soon as I started working on pianos, I started getting requests to perform in public again. For a while I refused most offers, as the solo repertoire that I had been working on up until recently was mostly not appropriate for background music. I have shifted my focus towards lighter pieces though and assembled a new repertoire of short pieces that generally avoid aggressive dynamic contrasts, brazenly polyphonic textures, and minor keys. All of the pieces, however, are from first-rate composers and offer both counterpoint and nuance for those who care to listen for it, and a nice melody for everyone else. My new repertoire is still expanding, but draws largely from the following:
- Bach, J.S.- French Suites
- Scarlatti, D.- Sonatas
- Mozart, W.A.- Sonata in A major, K. 331
- Beethoven, L.- Bagatelles, Op. 119
- Schubert, F.- Moments musicaux, Op. 94
- Schubert, F.- Impromptus, Opp. 90, 142
- Mendelssohn, F.- Songs Without Words
- Chopin, F.- Mazurkas
- Chopin, F.- Nocturnes
- Chopin, F.- Waltzes
- Schumann, R.- Kinderszenen, Op. 15
- Brahms, J.- Waltzes, Op. 39
- Grieg, E.- Lyric Pieces
- Rimsky-Korsakov, N.- Morceux, Opp. 11, 15, 38
- Strauss, R.- 5 Klavierstücke, Op. 3
- Albéniz, I.- España, Op. 165
- Rachmaninoff, S.- Morceaux de fantaisie, Op. 3
- Arensky, A.- 4 Morceaux, Op. 25
As a rule, I don’t perform on digital instruments, and I don’t perform on instruments that aren’t professionally maintained. If you are interested in booking me to play a few hours of light classical music, you should first contact me to schedule a tuning appointment. If you mention that you are also looking for a pianist, I will make sure to bring my scores to the appointment.

Leave a comment